IV of Spades- Andalucia (Album Review)

Andalucia—IV of Spades’ reunion album after a five-year hiatus—is easily this year’s most memorable release. True to their funk-rock roots, the album is a refined and mature work of sonic artistry that highlights the band’s mastery of melody and lyricism. Rather than chasing trends, the album’s 12 tracks feel timeless—destined to become OPM rock classics that future generations will continue to enjoy. It’s nostalgia with a twist of millennial exuberance.

If I were to file Andalucia under a specific category, it would be that perfect car song / road trip playlist—the kind you play over and over again, even while stuck in a raging traffic jam.

As someone who grew up listening to ’90s OPM and alternative rock, this album hits me with a powerful wave of nostalgia. Suddenly, I’m transported back to my state university’s flagship campus as a wide-eyed college freshman, enjoying a warm afternoon breeze in baby tees and sneakers. Andalucia gives me all these feels—and more.

TARA (Let’s Go)

The album opens with an infectious burst of youthful exuberance tinged with nostalgia. The guitar intro immediately hooks you, setting the tone for the flirty lyrics of a boy eager to take a girl out on a date. The playful vocal cadence makes this track an instant joy to listen to.

MONSTER

This track revives memories of my Britpop phase—weekends spent glued to MTV Asia, immersed in bands like Oasis, Blur, Suede, and Pulp. Monster is a sonic masterpiece. I can almost imagine Damon Albarn in the room as it plays. When the band chants, “We are the future from the seventies,” it feels like a declaration. Sons of Gen X musicians born in the ’70s, IV of Spades proudly carry the torch forward.

PARU-PARU (Butterfly)

Aww—this one’s just adorable. It perfectly captures that kilig moment: the awkward nervousness of being around the person you love, like butterflies blooming in your stomach from love-induced anxiety. I love that there’s now an IV of Spades song that captures this feeling so well.

NANAMAN

I can’t help but think of Eraserheads when this song comes on. That familiar ’90s guitar work—raw, unpolished, and almost live—delivers a solid punch of nostalgia. The more you listen, the catchier it becomes.

KONSENSIYA

My favorite part is the four-chord intro loop, which vaguely echoes U2’s Pride (In the Name of Love). If Paru-Paru feels like falling in love, Konsensiya explores the foolishness of being the third wheel—all in the name of love.

TAMIS NG PAGKAKAMALI

A song for your favorite mistake. The sweetness of bad life decisions—sorry, not sorry. This track captures that sentiment perfectly, wrapped in classic ’90s OPM sensibilities.

AURA

With a melodic pattern reminiscent of Mundo, IV of Spades’ most popular song, Aura feels warm, nostalgic, and incandescently sincere. It has all the makings of a true OPM classic.

KARMA

TANGERINE BOULEVARD

This song has Rico Blanco written all over it. Clearly inspired by him, IV of Spades effortlessly channels the Rivermaya songwriting tradition. For a moment, you might even think Rico himself is singing—when it’s actually Unique Salonga. The lyrics are poetic and rich with meaning, while the soothing progression makes this one of my top picks on the album.

KABISADO

With its distinct ’70s rock flair, Kabisado is smooth, suave, and easy on the ears. It’s the kind of song that quietly grows on you.

REWIND

Upbeat and energetic, this track grooves with a funky ’80s feel. I catch hints of new wave influences particularly Culture Club’s Karma Chameleon or General Public’s Tenderness in the first few seconds of the song. You won’t mind hitting repeat—this song is pure fun.

SULIRANIN

The slowest track on the album, Suliranin leans into the relaxed vibe of ’70s folk-pop—think Apo Hiking Society. It’s a gentle, satisfying close to an outstanding album.

FINAL VERDICT