music

Wednesday, January 28, 2026


Put your headphones on and explore Iloilo City on foot with a Spotify playlist made for slow walks and golden hour moments. From sun-drenched afternoons to breezy twilight strolls, this curated mix of gentle OPM and energizing indie beats is designed to help you fall in love with the City of Love—one step at a time.

Languid strolls can lift a sour mood.  Picking up the pace can untangle an overthinking mind. 

As you move, inhale the city’s calm, unhurried energy. Let the good vibes sink in while a heady mix of gentle OPM melodies and energizing indie beats sets the rhythm of your walk. There’s something about the cadence of the music blending with the city’s pace—it settles into your soul before you even realize it.

Feel it already? Do a gentle warm-up, press play, and let the streets, skies, and familiar corners unfold around you. This is your time to slow down, look up, and rediscover the quiet charm of Iloilo City—one step, one song at a time.

Don’t forget to save the playlist on Spotify. See you around the City of Love. 


Friday, January 23, 2026


Cloud Dancer (Pantone 11-4201) feels like a held breath—quiet, weightless, and reassuring. It lives in that liminal space between white and sky, where blue and gray dissolve into something barely there. Like almond milk poured into tea, it softens without erasing, calms without dimming. It is a color that does not ask for attention, yet creates the perfect atmosphere for everything else to be seen more clearly.

To bask in its contemplative softness, imagine pairing Cloud Dancer with a sound bath—tones that drift, linger, and gently fade, much like clouds themselves.



Cloud Dancer Sound Bath

A calming Spotify playlist for rest, reflection, and gentle becoming

You can search these tracks directly on Spotify or build your own playlist inspired by them:

  • ✨ Opening – Light & Air
  • Marconi Union – “Weightless”
  • Brian Eno – “An Ending (Ascent)”
  • Hammock – “Turn Away and Return”
  • ☁️ Floating – Dreamy & Spacious
  • Nils Frahm – “Says”
  • Ólafur Arnalds – “Near Light”
  • A Winged Victory for the Sullen – “Steep Hills of Vicodin Tears”
  • 🕊️ Resting – Soft Piano & Ambient Calm
  • Joep Beving – “Sleeping Lotus”
  • Max Richter – “Dream 3 (in the midst of my life)”
  • Hania Rani – “F Major”
  • 🌙 Closing – Stillness & Breath
  • East Forest – “10 Laws”
  • Julianna Barwick – “Look Into Your Own Mind”
  • Sigur Rós – “Samskeyti”


How to listen like Cloud Dancer

-Play at low volume, just above silence
-Listen during early morning light or late afternoon lull
-Pair with white curtains moving in the breeze, warm tea, or journaling 
-Let your thoughts pass—no need to hold onto them

Cloud Dancer is not about escape.

It’s about permission—to slow down, to soften your edges, and to let the rest of your life’s colors quietly glow.

Tuesday, December 23, 2025


AndaluciaIV of Spades’ reunion album after a five-year hiatus—is easily this year’s most memorable release. True to their funk-rock roots, the album is a refined and mature work of sonic artistry that highlights the band’s mastery of melody and lyricism. Rather than chasing trends, the album’s 12 tracks feel timeless—destined to become OPM rock classics that future generations will continue to enjoy. It’s nostalgia with a twist of millennial exuberance.

If I were to file Andalucia under a specific category, it would be that perfect car song / road trip playlist—the kind you play over and over again, even while stuck in a raging traffic jam.

As someone who grew up listening to ’90s OPM and alternative rock, this album hits me with a powerful wave of nostalgia. Suddenly, I’m transported back to my state university’s flagship campus as a wide-eyed college freshman, enjoying a warm afternoon breeze in baby tees and sneakers. Andalucia gives me all these feels—and more.

TARA (Let’s Go)

The album opens with an infectious burst of youthful exuberance tinged with nostalgia. The guitar intro immediately hooks you, setting the tone for the flirty lyrics of a boy eager to take a girl out on a date. The playful vocal cadence makes this track an instant joy to listen to.

MONSTER

This track revives memories of my Britpop phase—weekends spent glued to MTV Asia, immersed in bands like Oasis, Blur, Suede, and Pulp. Monster is a sonic masterpiece. I can almost imagine Damon Albarn in the room as it plays. When the band chants, “We are the future from the seventies,” it feels like a declaration. Sons of Gen X musicians born in the ’70s, IV of Spades proudly carry the torch forward.

PARU-PARU (Butterfly)

Aww—this one’s just adorable. It perfectly captures that kilig moment: the awkward nervousness of being around the person you love, like butterflies blooming in your stomach from love-induced anxiety. I love that there’s now an IV of Spades song that captures this feeling so well.

NANAMAN

I can’t help but think of Eraserheads when this song comes on. That familiar ’90s guitar work—raw, unpolished, and almost live—delivers a solid punch of nostalgia. The more you listen, the catchier it becomes.

KONSENSIYA

My favorite part is the four-chord intro loop, which vaguely echoes U2’s Pride (In the Name of Love). If Paru-Paru feels like falling in love, Konsensiya explores the foolishness of being the third wheel—all in the name of love.

TAMIS NG PAGKAKAMALI

A song for your favorite mistake. The sweetness of bad life decisions—sorry, not sorry. This track captures that sentiment perfectly, wrapped in classic ’90s OPM sensibilities.

AURA

With a melodic pattern reminiscent of Mundo, IV of Spades’ most popular song, Aura feels warm, nostalgic, and incandescently sincere. It has all the makings of a true OPM classic.

KARMA

This is my OPM counterpart to Taylor Swift’s Karma. While Swift delivers her message with subtlety, this track doesn’t mince words: “Malay mo, matauhan ka, ako ang iyong karma. Gulat ka, ’di ba?”

TANGERINE BOULEVARD

This song has Rico Blanco written all over it. Clearly inspired by him, IV of Spades effortlessly channels the Rivermaya songwriting tradition. For a moment, you might even think Rico himself is singing—when it’s actually Unique Salonga. The lyrics are poetic and rich with meaning, while the soothing progression makes this one of my top picks on the album.

KABISADO

With its distinct ’70s rock flair, Kabisado is smooth, suave, and easy on the ears. It’s the kind of song that quietly grows on you.

REWIND

Upbeat and energetic, this track grooves with a funky ’80s feel. I catch hints of new wave influences particularly Culture Club’s Karma Chameleon or General Public’s Tenderness in the first few seconds of the song. You won’t mind hitting repeat—this song is pure fun.

SULIRANIN

The slowest track on the album, Suliranin leans into the relaxed vibe of ’70s folk-pop—think Apo Hiking Society or The Rainmakers. It’s a gentle, satisfying close to an outstanding album.


FINAL VERDICT

⭐ ⭐ ⭐ ⭐ ⭐
Rating: 5 out of 5 stars

A masterfully crafted record by four incredibly talented musicians with diverse influences, Andalucia is the best album I’ve heard this year. Perfect score. No notes.

Tuesday, December 2, 2025

Sweet Alison (Lobularia maritima)

This summer, my good friend Cathy from the States sent me a packet of Wildflower Mix seeds. I’ve never considered myself much of a green thumb — certainly nothing like my late mother — but every now and then I manage to weave a little garden magic when it truly matters.

This year, it mattered.

I’ve spent the past months tending my mother’s garden, a place she nurtured with such love before she passed a decade ago. I made a promise to keep her lawn alive and to keep adding to her collection. And so, slowly and carefully, I’ve been filling it with new life: Nerium oleander, Sweet Alison, strawberries, a goldfish plant, kumquat, and a Philodendron “Prince of Orange,” among others.

My favorite, by far, is Sweet Alison — a honey-scented wildflower that draws in pollinators and memories in equal measure. Its fragrance always brings Tom Petty’s song "Wildflowers" to mind, one of my cherished garden-themed songs. There’s something about the lyrics, gentle and reassuring, that reminds me that no matter how life unfolds, we all deserve a place where we feel free.

Tending this garden has become more than a task; it’s a quiet ritual, a way of keeping my mother close. And every time Sweet Alison blooms, I’m reminded that we, too, belong among the wildflowers.


WILDFLOWERS

(Tom Petty/1994)

You belong among the wildflowers
You belong in a boat out at sea
Sail away, kill off the hours
You belong somewhere you feel free

Run away, find you a lover
Go away somewhere all bright and new
I have seen no other
Who compares with you

You belong among the wildflowers
You belong in a boat out at sea
You belong with your love on your arm
You belong somewhere you feel free

Run away, go find a lover
Run away, let your heart be your guide
You deserve the deepest of cover
You belong in that home by and by

You belong among the wildflowers
You belong somewhere close to me
Far away from your trouble and worry
You belong somewhere you feel free
You belong somewhere you feel free
 

In a garden mood? Listen to my playlist right here.

Friday, November 28, 2025


The Aurora Music Festival had been on my bucket list for the longest time. The promise of starry skies, glowing hot air balloons, and a lineup of my favorite OPM bands felt like the perfect way to cap off my birthday month. Well, it didn’t quite turn out that way—but honestly, I wouldn’t have it any other way. A little mud and mayhem is exactly what great concert memories are made of. Just ask any veteran Gen-X concertgoer.

November’s fickle weather had other plans. The festive night I imagined quickly transformed into a muddy, almost-Woodstock-like spectacle that was truly one for the books. By the time I dragged my mud-soaked shoes and hungry, tired, sleep-deprived self out of the CDM Event Grounds near midnight, torrential rains threatened to turn the place into one giant carabao puddle. My tiny folding umbrella was no match. And there was no way the hotel would let me in with shoes that looked like they survived a rice field harvest. So I surrendered. I headed back to my room on the 18th floor and watched the rest of the show from my window—though a telescope definitely would’ve helped.

Strong winds. Lashing rains. Mist swirling like smoke. The entire venue seemed to vibrate as Rico Blanco’s defiant voice pierced through the storm: “Umaaraw, umuulan, ang buhay ay parang ganyan.” Even from my cozy room, goosebumps rose all over. Ah, if only I were 20-something again—still foolish enough to brave the downpour. Petulant youth, you are blessed.

One of the highlights of my weekend wasn’t just the music—it was being unexpectedly upgraded from Fili Hotel to Nustar Hotel. A bathtub with a sweeping view of the bay and fancy French toiletries were enough to revive my worn-out city soul. They even had one of those high-tech Japanese toilets with a warmed seat and ambient glow. For a moment, I was back in Japan. Banzai!

Because of our early flight, we spent the morning exploring SM Seaside Cebu—a circular retail wonderland. First stop: Flying Tiger Copenhagen (finally, something Iloilo doesn’t have). I ended up with a Nordic Christmas décor haul and then picked up shoe covers, and a spare umbrella just in case the skies threw another tantrum. Cebu’s post-flooding worries still lingered in the back of my mind.

Honestly, my mall-rat self wanted to stay longer, but my two-hour-sleep “Tita body” was wobbling around like an exhausted wind-up toy. I was happy enough with my Flying Tiger finds and decided it was best to rest before the concert.

As expected, the crowd was dominated by energetic 20-somethings with a sprinkling of 40-somethings whose default bedtime is, well, 11 PM. The vibe was youthful and infectious. Earl Agustin was a revelation—smooth vocals even with a temperamental sound system. Maki wasn’t the strongest live performer for me, but he was undeniably charming and knew how to hype a crowd. Ben & Ben? Always excellent. Always consistent. Always magic.

My beloved Cup of Joe, though, had a rough start—tired eyes, jet lag, and technical mishaps with their IEMs. I’m expecting a better showing when they bring their Stardust Tour to Iloilo next year. I sadly missed Rico Blanco and SB19 live, but even from 18 floors up, you could feel their energy electrify the stormy night.

Of course, I have a few suggestions for the next Aurora Music Fest. First: please hold it during the summer. The hot air balloons—the festival’s signature charm—never even made an appearance. The food kiosks would’ve been more convenient outside the gates; I spent almost an hour in line for Korean snacks (essentially pastries) while Maki serenaded everyone. Many performers struggled with technical issues, and the sound system was noticeably weak for those farther back.

Eventually, the rain forced me to leave in the middle of Cup of Joe’s set, just as “Multo”—their chart-topping anthem—lit up the night with fireworks. That was my unexpected finale. And despite my list of complaints, I still walked away happy.

Aurora Music Fest Cebu may have been my first and last outdoor concert experience—I’ve accepted that I’m now an indoor-arena girl—but it was unforgettable in all the ways that matter.



I woke up at 9 AM the next day—too late for a morning dip at the pool, since breakfast was already being served. But any concert hangover vanished the moment we stepped into the private Executive Lounge on the 23rd floor for an exclusive breakfast buffet. With panoramic views of the ocean unfolding beneath us, even my groggy self felt instantly revived. I savored every minute of my stay at Nustar Hotel. Truly superb.

After checking out, we asked our taxi driver to bring us to the Basilica Minore del Santo Niño for the 1 PM Cebuano Mass. We also requested the scenic route via the Cebu–Cordova Link Expressway (CCLEX), because why not make the most of the day? In true tourist fashion, we managed to cross all three of Cebu’s major bridges before heading to the heritage district.

The afternoon heat was unusually intense, so we wandered into Plaza Independencia for a breather. Just beside it stood the historic Fort San Pedro and the National Museum of the Philippines–Cebu, where we spent a relaxed half hour soaking in the exhibits and escaping the sun’s glare.

From there, we made our way to Ayala Center Cebu for a bit of sightseeing and an early dinner before heading to the airport for our late flight home.

Overall, Cebu was awesome. Daghang Salamat, Cebu. Till next time!






















Wednesday, September 3, 2025


If there’s an album that can accompany us through the stormiest and darkest of days, it has to be rising Pinoy experimental pop band Cup of Joe’s seminal full-length release, Silakbo. Dropped on January 17, 2025, the album’s Filipino title translates to “emotional outburst” or “roused-up feelings.” Its black-and-red cover art symbolically represents the five stages of grief—or alternately, the five talented Gen Z members that make up the band.

Frontmen Gian Bernardino and Rapha Ridao provide soulful, contrasting-yet-blending vocals, while Gabriel Fernandez (lead guitar), CJ Fernandez (rhythm guitar), and Xen Gareza (keyboards) craft a sonically layered soundscape drawing from retro, indie, folk, and pop ballad influences. Cup of Joe’s strength lies in their romantic Tagalog lyricism and dreamy imagery, a powerful medium for connecting to their growing legion of fans. Listeners will find themselves immersed in the album’s expressive sensibilities and its heartfelt confrontation with grief’s thematic cousins—denial, anger, bargaining, depression, and acceptance.

Prepare to have dormant feelings resurface at your most vulnerable moments, as Cup of Joe invites you to sit once again with emotions that may never have found closure.

 

DENIAL: “Bagyo” and “Wine”

The opener Bagyo begins with the swirling sound of an impending thunderstorm, mirroring the emotional turbulence of circumstances beyond one’s control. Its metaphor of a falling sky and rising tide of misfortune highlights the inevitability of pain. No matter how hard we resist, the rain still falls, and the world still turns dark.

Meanwhile, Wine—the only track with an English title and chorus—delivers disbelief and disappointment at losing a lover to someone else. Minimal instrumentation and Ridao’s warm, sensual vocals make this haunting ballad unforgettable.

ANGER: “Kanelang Mata” and “Bubog”

Kanelang Mata (Cinnamon Eyes) simmers slowly before escalating into a full storm of anger. Bubog (Shards), however, cuts deepest—it’s raw, nerve-hitting, and emotionally devastating, driven by self-doubt, inadequacy, and self-blame.

Bernardino and Ridao deliver lines with such piercing emotion that listeners are left asking: Is the mirror broken, or am I the one who’s broken? From a songwriting perspective, Bubog is easily a standout.

BARGAINING: “Siping” and “Pahina”

Grief shifts into longing in this section. Siping (To Lay Beside) flows like a serenade—a final warm embrace before letting go. Pahina (Page), meanwhile, aches with the desire to rewrite life’s chapters and cling to promises etched in memory. Its lyrical strength lies in its poetic imagery, repeating the inevitability of returning to the same person, the same page.

DEPRESSION: “Multo” and “’Di Maari”

Despite its heavy theme, Multo is the most popular and heavily rotated song on the album—thanks to its catchy riffs and relatable lyrics about missed connections, lost chances, and unfulfilled dreams. It’s poised to cement Cup of Joe as a household OPM name.

’Di Maari, on the other hand, is a stripped-down gem. With bare-bones instrumentation and lyrics that feel like a whispered love letter or apology, it is deeply healing in its intimacy.

ACCEPTANCE: “Hinga” and “Silakbo”

The final stage of grief comes with renewed energy and hope. Hinga provides a collective pause to breathe, lifted by exhilarating drum beats and soaring falsettos. Its message is clear: even darkness allows stars to shine.

Finally, the eponymous track Silakbo closes the album on a high. Upbeat, danceable, and vocally dynamic, it encapsulates the band’s versatility and emotional journey. Even if sung a cappella, the power of these songs would remain undeniable.

Final Verdict

Silakbo is a musically mature release overflowing with lyrical depth and emotional resonance. Each of its ten tracks stands out in its own style while contributing to a cohesive narrative arc. It’s a beautiful balance of pain, reflection, and catharsis—an album that speaks to both new and long-time OPM listeners.

Rating: ⭐⭐⭐⭐

Tuesday, June 3, 2025


I love listening to YouTube while I'm at work. I can easily switch playlists on my subscribed list to adjust to the various times of the day and corresponding energy levels and mood.

Here's one of my favorite mild tempo playlist. Chill enough to relax me while working and upbeat enough to keep me  alert and awake. Check out Heehee playlist. Have a productive day!

 

Monday, January 6, 2025

Happy New Year! Let's start 2025 on a cool note with smooth grooves and cozy lo-fi music from my favorite YouTube playlist channel Take your Time .

Sunday, October 6, 2024


via Pinterest

 

Just so you know, I'm not really into pop music but Taylor Swift's Folklore album is something that made me into a TS fan. I've been listening to her music for years and enjoyed her popular ditties but never considered myself a proper Swiftie. Her previous albums were fun and catchy pop music memoirs about her love life and famous exes. Her cats fascinate me though and I hope she writes songs about them in the future. 

So what's the backstory about my favorite Taylor Swift album? COVID-19 pandemic happened and Folklore was a by product of Taylor's time in isolation. As expected, the restrictions and boredom imposed by the pandemic forced  her to turn her energy inwards and hence this hauntingly introspective indie-folk inspired album came into existence. The pandemic spurred a lot of creative innovations and Folklore is a brilliant example of that.  

I listened to this album in its entirety while watching the Folklore Long Pond Sessions documentary on Disney+ where Taylor sings all the songs in the album while giving the audience snippets of her creative process. Recorded at Long Pond Studio in the forested area of Hudson Valley in New York, this album is refreshingly raw and heartfelt. 

For a lot of musicians, the COVID-19 pandemic was a difficult time to make new music but not for Taylor Swift. In reference to her recent song from the Tortured Poets Department "I Can Do it with a Broken Heart" she sings:

I cry a lot, but I am so productive, it's an art
You know you're good when you can even do it with a broken heart.

Come hell or high water, heartbreak, pandemic, or an on-going world tour, Swift continues to do what she does best- write brilliant lyrics with an addictive and memorable hook.

As the cover of the album suggests, the loneliness, isolation and limited movement brought about by the pandemic inspired a creative cocooning in the woods (we mean this both literally and figuratively) that produced  a beautifully bare boned collection of songs that relies heavily on minimalist musical instrumentation and soulful vocals. Proving her critics wrong, Folklore is an undeniable showcase of Swift's songwriting and storytelling genius. 

I'm not going to dissect every line of her songs and its corresponding thematic interpretation but I will write about how these songs can feel better than therapy. 


MY FAVE TRACKS

The 1 and Cardigan are almost on the same musical latitude in terms of tone and tempo.  I suspect these are twin songs. One song is not enough to express the hurt of heartbreak, break-ups and what-ifs.

August is an upbeat summer anthem about a short-lived summer romance or fling. Sweet and bittersweet. 

My Tears Ricochet- The saddest song in the album that will put you on an emotional wringer. Very cathartic. 

Mirrorball-  I love this song for what it is and what it is not. If only I can show you every version of yourself tonight.

Betty- Teenage nostalgia that you can look back to when you're 60. The sweetest song in the album.

Exile- A magical duet of Taylor and Bon Iver. Very therapeutic.

The Last Great American Dynasty- This is one of the more upbeat songs in this album. It is inspired by Rebekah Harkness, a Rhode Island socialite whose Holiday House (mansion) was purchased by Taylor. Fun song despite it's true-to-life inspiration. 

Sunday, September 8, 2024


Aside from Spotify, I love YouTube's extensive seasonal music playlist.  It's September and what comes mind are pumpkin pie lattes, hot chocolate and everything warm and cozy. Would you like to get into that autumn frame of mind? Check out these beautiful playlists for pure relaxation. Click on the image to access. Happy September!














Thursday, March 14, 2024

Not really a Swiftie but a Sheerio ;)

All roads led to Ed Sheeran’s Mathematics Tour 2024 at SMDC Festival Grounds last Saturday, March 9, 2024. I missed his Manila concert back in 2018 and this year, I didn’t want to miss it for the world. So without a blink of an eye, I jumped on the earliest available Air Asia flight last Saturday to catch the concert in the evening. My sister treated me to CAT3 reserved seat tickets at the open air venue so I was super thrilled and grateful to see Ed Sheeran a little bit closer than I imagined.  Our vantage point allowed us to fully appreciate the monumental stage set-up, a circular LED screen held up by laser sourced Ayrton lighting rigs and a fully automated, TAIT navigated revolving stage that gave the audience a full unobstructed view of the beloved British singer-songwriter. The immersive light and sound technology employed in this concert definitely blurred the lines between live performance and digital art wizardry. Mathematics Tour 2024 is all that it adds up to be and more. 

Crowd favorite local indie folk pop band Ben & Ben was the front act for the evening. Bloody excellent choice, Ed! I was doubly stoked as Ben & Ben is my fave local artist and I've always wanted to see and hear them play live. I am a  fan of their music genre and it was refreshing to hear the 9-piece band play their popular songs like Leaves, Kathang Isip, etc to an adoring crowd. The highlight of the evening would have to be Ed Sheeran sharing the stage with the B&B twin brothers Miguel Benjamin and Paolo Benjamin Guico (hence Ben & Ben) for a  duet  of their hit song Maybe the Night. Ed singing the lyrics of Maybe the Night gave us all the warm fuzzies! 

Ed Sheeran opened the show with fireworks and an electrifying rendition of Tides, the first song in his 28 song setlist that ended with an equally charged song Bad Habits. A curtain of fireworks closed the stage, a fitting culmination to an unforgettable night. Almost all of  my favorite songs were in the setlist- The A Team, Lego House, Shape of You, Galway Girl, Castle on the Hill and Afterglow so I was one happy Sheerio. Perfect  is one song I often play on my guitar so I felt really surreal when Ed Sheeran sang it to a gently swaying crowd, their mobile phones lighting up the night like a swarm of fireflies.  At the start of the show, Ed assured the audience that everything in the concert is performed live. He emphasized that no single concert of his sounds exactly the same. With guitar in hand and his signature loop pedal, Sheeran was a one-man rock band, his every move amplified and transformed into mesmerizing, almost hypnotic  thematic MTV style LED board videos. I've been to many rock concerts (in my youth, hehe) and I can say Sheeran's rotating stage platform is a breakthrough in audience engagement. In whatever seat tier you are, you are given the equal opportunity to see the performer in  360 degree glory. 

My favorite part of the concert aside from Ed’s duet with Ben & Ben is his heart stirring rendition of Tenerife Sea, a song which I particularly adore and that never fails to give me goosebumps. The excited crowd fell into a hushed spell when he reached the bridge of the song and softly crooned "Lumiere darling, lumiere over me, lumiere darling, lumiere over me." Ah, my heart slayed by this ginger-haired Brit. 

Ed's set started at 8:15 pm and ended at 10:40 pm. Another front-act was Calum Scott, a fellow Brit and alumnus of Britain's Got Talent. We missed his performance since we got entangled in the Pasay City traffic jam (I meant it literally when I said all roads led to SMDC). As expected going home after the concert is another story in itself. Despite the challenging post-concert traffic situation, Pinoy Sheerios went home happy, bathed in a warm concert afterglow. 

The cool breeze and pleasant weather (so untypical of summer nights) made the concert more enjoyable and memorable. In the night sky, the new moon shone, the lumiere that Ed Sheeran's music makes us feel. 

We can't wait for Ed to come back! Don't make us wait for another 6 years, please! 









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